TABLE OF CONTENTS
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Introduction - Claudia Mattos Avolese, Roberto Conduru
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Between Rocks and Hard Places: Indigenous Lands, Settler Art Histories and the ‘Battle for the Woodlands’ - Ruth B. Phillips
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Transdisciplinary, Transcultural, and Transhistorical Challenges of World Art Historiography - Peter Krieger
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Out of Place: Migration, Melancholia and Nostalgia in Ousmane Sembène’s Black Girl - Steven Nelson
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The Global Dimension of Art History (after 1900): Conflicts and Demarcations - Joseph Imorde
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Perspectives on Institutional Critique Lea Lublin and Julio Le Parc between South America and Europe - Isabel Plante
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Historiography of Indian Art in Brazil and the Native Voice as Missing Perspective - Daniela Kern
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The Power of the Local Site: A Comparative Approach to Colonial Black Christs and Medieval Black Madonnas - Raphaèle Preisinger
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Between Roman Models and African Realities: Waterworks and Negotiation of Spaces in Colonial Rio de Janeiro - Jorun Poettering
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Tropical Opulence: Rio de Janeiro’s Theater Competition of 1857 - Michael Gnehm

New Classicism Between New York and Bogotá in the 1960s - Ana M. Franco
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Back and forward: Considerations about Artistic Relations between Mexico – United States (1988-2014) - Daniel Montero
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Historiographies of the Contemporary: Modes of Translating in and from Conceptual Art - Michael  Asbury
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Landscape Painting in the Americas: An Inquiry - Peter John Brownlee, Valéria Piccoli, Georgiana Uhlyarik
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From Ethno-aesthetic to Socialist Realism, Aesthetic Practices in Africa and New Territories of Art History: The Role of Institutions - Romuald Tchibozo
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Tonalá Ceramics in Seville - Alfredo J. Morales
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1492 in the Other Indies: Shifting Centers, Creating New Peripheries - Frederick Asher
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European Architecture in Southeast Asia during the 18th century: between tradition and hybridization - Pedro Luengo
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Political Potentials of Communal Making in Contemporary Australia - Katve-Kaisa Kontturi
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Whose History? Why? When? Who Benefits, and Who Doesn’t? - Claire Farago